Looking across the State Drawing Room to the Conservatory. The Drawing Room, where members of the community meet the Governor and his wife, is now the most used room in the house.

The first colour scheme for this room derived from its sulphur-coloured velvet furnishings and whitewashed walls. By the 1890s a different atmosphere was created by using heavy drapes, Persian style carpets, elaborate gasoliers and many pieces of harlequin-coloured furniture which occupied the floor space. As the room is now used for receptions, the present emphasis is on openness, which highlights the room's spaciousness and refined proportions.

The elaborate plaster ceiling is notable for its deeply recessed panels, separated by decorated cross beams and ornamented with moulded cornices. Most of the tables, chairs and sofas made by Thwaites are original. The 19th century Steinway grand piano is still used today. Paintings in the room are from the collection of the National Gallery of Victoria. Near the mantlepieces are adjustable screens, once used for protecting the face from the fire's heat.

Late afternoon light shows this room to its best advantage, and shifts the focus to the south wall with its large casement windows opening out on to the Fountain Court. The room is used for award ceremonies, musical recitals and receptions for community groups.